- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers click here. To see the playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AA Green and Pleasant LandA Little Traveling Music, Please American Masters, Part I (FREE)American Masters, Part IIAmerican Masters, Part IIIAmerican Masters, Part IVAn Intelligent ConversationArias & BarcarollesArtists in Exile, Part IArtists in Exile, Part IIAutumn Leaves BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas OratorioBach's Not-So-Minor B-Minor MassBarberBartokBeethoven & that Danged Metronome Beethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven QuartetsBerliozBernsteinBill's KeepersBoulanger (Nadia)Brahms, Part IBrahms, Part II Britten CCall for ScoresCamille St-SaënsCello Concertos (FREE)Child's PlayChopinClowning AroundCoplandCoriglianoCzech out those BohemiansDDebussyDemons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant NeighborsDon't Shoot the Piano PlayerDvorakDvorák, Tchaikovsky & Borodin String QuartetsEElgarEmotion and Meaning in MusicEspanaFFamilies of InstrumentsFamily MattersFauréFit for a KingFour SeasonsFrom This Mighty River: Music of the Children of J.S BachGGame of Pairs, Part IGame of Pairs, Part IIGershwinGet the PictureGitana: Gypsy Music And Its InfluencesHHandelHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemithHoliday CelebrationHomageII Didn't Know About YouI Hear America SingingI Lost it at the Movies (FREE)In a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part IIInvitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His LassItalian SouvenirsJJanáčekLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part IIILisztMMagnificent MagyarsMahler, Part IMahler, Part IIMaiden VoyagesMendelssohnMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith (FREE)Mozart Piano ConcertosMozart's Birthday BashMusic for the MassesMusic in the Time of WarMusical Cryptograms NNationalismNew Releases, Part IINew Wine in Old Bottles (Free)NielsenNinth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New WorldOutward BoundPPastoral SymphoniesPiano ConcertosPolandPortraits in Black, Brown, & Beige, Part IPortraits in Black, Brown, & Beige, Part IIProkofievRRachmaninoffRavelRespighiRRussian Five: The Mighty HandfulSSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman (William) SchumannShakespeareShostakovich, Part IShostakovich, Part IISibelius and GriegSounds of the City of Lights (FREE)SoundtracksSpring is HereSt. Matthew PassionStrauss (Richard)Stravinsky (FREE)String Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago (FREE)Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10TTchaikovsky, Part ITchaikovsky, Part IIThe Big Five, Part I: Chicago Symphony OrchestraThe Big Five, Part I: New York PhilharmonicThe Big Five, Part II: New York PhilharmonicThe Proud Tower, Part IThe Proud Tower, Part IIThe Roaring 20'sThrough the Mail SlotTone PoemsToo Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part IIUnfinished SymphoniesVVariationsVaughan WilliamsVeniceVerdi, Part IVerdi, Part IIVienna, Part IVienna, Part IIViolaWWagnerWagner's Ring CycleWater MusicWhat Else Ya Got?William WaltonWind QuintetsYYou and the Night and the Music
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- About Exploring Music
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Franz Joseph Haydn wrote 104 symphonies in his entire life, starting in Pilsen, Germany for a count. Before his first symphony, he was trained intensively in a school from which a scout took him to become a Vienna Choir boy. But he started his composition career by cutting off the pigtail of a choirmate, resulting him in expulsion from the choir.
Haydn begun his own sonata form and that was when the Esterhazy family took him into their castle to write plenty of pieces just for them. Haydn worked for Prince Nikolaus, "The Magnificent" on his 22nd symphony, which used the English horns, a prime example of Haydn's desire to experiment.
Haydn: Symphony No. 101 (excerpt)
New York Phil/Bernstein
Haydn: Symphony No. 100, Military (excerpt)
Haydn: Symphony No. 1
St. Paul Chamber Orchestra/Wolff
Haydn: Symphony No. 6, I
Austro-Hungarian Haydn Orchestra/Fischer
Haydn: Symphony No. 7, II; Symphony No. 8, IV
The English Concert/Pinnock
Haydn: Symphony No. 22, The Philosopher
Without inspiration to guide him, Haydn took advantage of the first group of English horn players he heard while working for the Esterhazys. Haydn contributed four or more horns into the symphony, as he overlapped several keys together. He also contributed to the new use of the minor key in the symphony, which is especially noticeable in "Trauersinfonie," translating to "Symphony of Mourning." It was that piece that conveyed the message of farewell for the summer to the Esterhazys.
Here is a set of varying symphonies from dark and serious to light and manic. Iona Brown conducts "La Passione" and conveys the inferno at the end of the piece, as its form is scattered. But scattered in lighter terms meant changing key in "Il Distratto," which portrays an absent-minded professor falling asleep in his classroom. Haydn executes this scattered character by abruptly transitioning from F-minor to E-flat major between pages, and extends the adagio as the professor has forgotten how many movements to play. The two moods are combined in the final sample here.
Shortly after meeting and befriending Wolfgang Amadeus Mozart, Haydn travels to London with Johann Peter Salomon and encounters the ocean for the first time. Although Haydn initially struggled to write among the noise of London's streets, he was soon summoned to Oxford University to obtain a doctorate, where he showcased his "Oxford Symhpony," for which he was greatly acclaimed. A critic said Haydn wrote for "attentive, quick-witted" listeners.
Haydn: Symphony No. 83, La Poule, I
Orchestra of the Age of Enlightenment/Kuijken
Haydn: Symphony No. 88, II; Symphony No. 92, Oxford, IV
Haydn: Symphony No. 98, IV
Haydn: Symphony No. 100, Military, I, II & IV
Haydn ends his career in composition after completing 104 symphonies and traveling from Vienna to London, and back again. One of the last acquaintances Haydn made during his career was with King George III in London, whose family Haydn entertained with his music. Haydn becomes financially stable and inspires the Handel and Haydn Society. Haydn was well-respected and implored by many to move to England.