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Verdi, Part II

 There's no other composer that says "opera" like Verdi. Join us for the second part of our two week series featuring Verdi's take on Shakespeare, Egyptian princesses, and perhaps the grandest requiem ever written.

 
Program 1

This program teaches us the danger of mixing romance and politics with Verdi's Don Carlo and Aida. 

Giuseppe Verdi: Don Carlo (excerpts)
Royal Opera House/Giulini; Plácido Domingo, ten.; Montserrat Caballé, s.; soloists
EMI 66850
1:17, 17:04, 11:22

Verdi: "Se Quel Guerrier Io fossi!...Celeste Aida" fr. Aida, Act I
Orchestra dell’ Opera di Parma/Morandi; Kauffman, ten.
Sony 49204
4:43

Verdi: Aida (excerpts)
Rome Opera House Orchestra & Chorus/Solti; Vickers, ten.; Price, sop.; soloists
Decca 417416
:34, 5:06, 9:41

Program 2

We begin our exploration of Verdi's requiem with heroic percussion, a fiery Dies Irae, and Toscanini & Muti conducting. Don't miss it!

Giuseppe Verdi: Messa Da Requiem: Requiem & Kyrie
NBC Symphony Orchestra/Arturo Toscanini; Herva Nelli, s.; Fedora Barbieri, ms; Giuseppe Di Stefano, t.; Cesare Siepi, b.
RCA 72373
7:46

Giuseppe Verdi: Messa da Requiem: Dies Irae
Chicago Symphony Orchestra & Chorus/Riccardo Muti; Mario Zeffiri, t. Olga Borodina, s.
CSO Resound 901-1006
38:35, 2:14
 

Program 3

A trumpet call, a double fugue and we're off. We finish our exploration of Verdi's Requiem and listen to Verdi's lesser known string quartet.

Giuseppe Verdi: Messa da Requiem: Offertorio, Sanctus, Angus Dei, Lux Aeterna, Libera Me
Chicago Symphony Orchestra & Chorus/Riccardo Muti; Mario Zeffiri, t.; Olga Borodina, s.
CSO Resound 901-1006
41:12, 3:39

Verdi: String Quartet in E Minor, III & IV
Quartetto Italiano (Paolo Borciani & Elisa Pegreffi, v.; Lionello Forzanti, vla.; Franco Rossi, vc.)
Amadeus- Quartetto Italiano, The Early Recordings
7:09
 

Program 4

Verdi was a composer who just couldn't quit, and the same is true for Exploring Music. On Thursday, we see Shakespeare's Othello through Verdi's eyes.  

Giuseppe Verdi: Otello: Act I, II & IV (excerpts)
Chicago Symphony Orchestra/Muti
CSO Resound 9011301
8:02, 12:18, 5:12, 5:12, 2:36, 16:26

Program 5

Friday is our last day celebrating Verdi, and boy do we go out with a bang.  Join us for the heart wrenching end of Otello and the glorious Falstaff!

Giuseppe Verdi: Otello- Act IV (excerpts)
Chicago Symphony Orchestra/Muti; soloists
CSO Resound 9011303
15:19

Verdi: Falstaff- Act I (excerpts), Act III (excerpts)
Berlin Philharmonic Orchestra & Radio Chorus/Solti; Van Dam, bs. bar.; soloists
Lon 440650
9:18, 15:43, 7:36

Verdi: “Quand'ero paggio” fr. Falstaff (excerpt)
Philharmonia Orchestra/Alberto Erede; Tito Gobbi, bar.
EMI 67162
1:32
 

 

The Exploring Music streaming website is made possible by Mr. & Mrs. William Gardner Brown and Susan & Richard Kiphart.
You have opened up the world of Classical Music to me, where previously, it seemed too complicated.
Steffen Demeter
This is simply one of the very best radio programmes in the medium!...The study of the people, the times, and the events that inform the music we otherwise enjoy and even, heaven forbid, take for granted, brings the entire world of the music and the composer to life.
Walther Davies
There isn't a program you broadcast on Exploring Music" that isn't of interest. I find them all engaging. It is a combination of variety of subject, intellectual curiosity and your obvious enthusiasm which characterize your satisfying programs.
Michael Sanders
It’s a great way to re-engage myself with consciousness before heading off to work.
Kourtney
I Love this program! I am in 7th grade and I am the complete opposite of the other kids. I am 4th chair in the orchestra and I love to read. But most of all, I LOVE classical music!
Claudia Wertz
Your show has helped open my mind and heart to this world of music, and every show I hear confirms my place in music and gives me new ideas for where I'd like to go with it in the future….I grew up with classical music as a child and always held it in my heart, but I didn't have the confidence to be a good student (or a good violinist.)
Christine Anderson
Listening to you is almost interactive.You invite us in with so many well modulated dramatic and informative comments, enticing, enthusiastic interpretations, and coherent, beautiful presentations. It's a privilege to follow you into the musical space you create.
Sally Rosenbaum
I just love this program. It is soothing and comfortable at the end of the day. I find his comments interesting, but they aren't so dragged out that there is very little music. The balance of both is just right.
Jean Quay
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