- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers click here. To see the playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AA Green and Pleasant LandA Little Traveling Music, Please American Masters, Part I (FREE)American Masters, Part IIAmerican Masters, Part IIIAn Intelligent ConversationArias & BarcarollesArtists in Exile, Part IArtists in Exile, Part IIAutumn Leaves BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas OratorioBach's Not-So-Minor B-Minor MassBarberBartokBeethoven & that Danged Metronome Beethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven QuartetsBerliozBernsteinBill's KeepersBrahms, Part IBrahms, Part II (FREE) Britten CCamille St-SaënsCello Concertos (FREE)Chicago Symphony Orchestra: The Big FiveChild's PlayChopinClowning AroundCoplandCoriglianoCzech out those BohemiansDDebussyDemons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant NeighborsDon't Shoot the Piano PlayerDvorakDvorák, Tchaikovsky & Borodin String QuartetsEElgarEspanaFFamilies of InstrumentsFamily MattersFauréFit for a KingGGame of Pairs, Part IGame of Pairs, Part IIGershwinGet the PictureGitana: Gypsy Music And Its InfluencesHHandelHaydn and Mozart QuartetsHHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemithHoliday CelebrationHomageII Didn't Know About YouI Hear America SingingI Lost it at the Movies (FREE)In a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part IIInvitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His LassItalian SouvenirsJJanáčekLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part IIILisztMMagnificent MagyarsMahler, Part IMahler, Part IIMaiden VoyagesMendelssohnMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith (FREE)Mozart Piano ConcertosMozart's Birthday BashMusic for the MassesMusic in the Time of WarNNadia BoulangerNationalismNew Releases, Part IINew Wine in Old Bottles (Free)New York Philharmonic: The Big Five, Part INew York Philharmonic: The Big Five, Part IINielsenNinth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New WorldOutward BoundPPastoral SymphoniesPiano ConcertosPolandPortraits in Black, Brown, & Beige, Part IPortraits in Black, Brown, & Beige, Part IIProkofievRRachmaninoffRavelRRespighiRussian Five: The Mighty HandfulSSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman (William) SchumannShakespeare (FREE)Shostakovich, Part IShostakovich, Part IISibelius and GriegSounds of the City of Lights (FREE)SoundtracksSpring is HereSt. Matthew PassionStrauss (Richard)Stravinsky (FREE)Strings Plus OneTTchaikovsky, Part ITchaikovsky, Part IIThe Four SeasonsThe Proud Tower, Part IThe Proud Tower, Part IIThe Roaring 20'sThe Symphony, Part IThe Symphony, Part IIThe Symphony, Part IIIThe Symphony, Part IVThe Symphony, Part IXThe Symphony, Part VThe Symphony, Part VI (French)The Symphony, Part VII (Russian)The Symphony, Part VIIIThrough the Mail SlotTone PoemsToo Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part IIUnfinished SymphoniesVVariationsVaughan WilliamsVeniceVerdi, Part IVerdi, Part IIVienna, Part IVienna, Part IIViolaWWagnerWagner's Ring CycleWater MusicWhat Else Ya Got?William WaltonWind QuintetsYYou and the Night and the Music
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This week's theme is the curse of the ninth symphony which began with Beethoven in the mid-1820s. Over time, the myth grew that when writing your ninth symphony, it would be your last and perhaps also your last year on earth.
Beethoven's ninth symphony is a massive work and takes over an hour to perform. The famous choral melody in the final movement actually comes from a folk tune that Beethoven had written in the 1790s.
The numbering of Schubert's symphonies is somewhat problematic. Numbers one through six, written when he was young, are in straightforward numerical order, but after that, he wrote a few sketches in D Major, and then two number seven symphonies. The second, in b minor, is known as Schubert's "unfinished symphony" because there are only two movements.
After that, he wrote another sketch, and then "the great D major symphony" that musicologist Otto Erich Deutsch officially titled as the Schubert's ninth symphony.
Incidentally, Schubert was present at the first performance of Beethhoven's 9th, and its likely to have made a big impact on him. Several musical excerpts bear striking similarity to Beethoven's ninth.
Antonin Dvorak composed his ninth symphony, From the New World, in 1839 while living in New York City. Contrary to Beethoven and Schubert, Dvorak lived for another ten years after writing it.
Though he is known as "the great Bohemian composer," Dvorak had moved to New York City after being offered a position there. Jeanette Meyers Thurber, founder of the National Conservatory of Music, offered him the job as artistic director and professor of composition. The lucrative salary eventually enticed him.
Anton Bruckner, a profoundly religious man, did seem to have fears about writing his ninth symphony. Though Brucker wrote more than nine in total, he died while writing the symphony he titled as the ninth. Only three movements were ever written, though Bruckner had planned to add a fourth. It is not commonly performed.
Bruckner worked on the piece for seven years, and though he owes a lot to Beethoven's ninth as a model, harmonically, it is closer to Tristan and Isolde.
Towards the end of the program, Bill plays a movement of Mahler's ninth symphony, the subject of the following program.
Gustav Mahler also took the curse of the ninth symphony very seriously. In 1907, his eldest daughter died and he was diagnosed with a heart condition. His doctor told him that he could die at any moment.
Mahler wrote "At one blow, I have simply lost all of the clarity and quietude I ever achieved. Now I'm at the end of my life, again a beginner."
It was after this that he began work on his ninth symphony. The piece was first performed in 1912, a year after Mahler died.