- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers click here. To see the playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AA Green and Pleasant LandA Little Traveling Music, Please American Masters, Part I (FREE)American Masters, Part IIAmerican Masters, Part IIIAn Intelligent ConversationArias & BarcarollesArtists in Exile, Part IArtists in Exile, Part IIAutumn Leaves BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas OratorioBach's Not-So-Minor B-Minor MassBarberBartokBeethoven & that Danged Metronome Beethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven QuartetsBerliozBernsteinBill's KeepersBrahms, Part IBrahms, Part II (FREE) Britten CCamille St-SaënsCello Concertos (FREE)Chicago Symphony Orchestra: The Big FiveChild's PlayChopinClowning AroundCoplandCoriglianoCzech out those BohemiansDDebussyDemons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant NeighborsDon't Shoot the Piano PlayerDvorakDvorák, Tchaikovsky & Borodin String QuartetsEElgarEspanaFFamilies of InstrumentsFamily MattersFauréFit for a KingGGame of Pairs, Part IGame of Pairs, Part IIGershwinGet the PictureGitana: Gypsy Music And Its InfluencesHHandelHaydn and Mozart QuartetsHHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemithHoliday CelebrationHomageII Didn't Know About YouI Hear America SingingI Lost it at the Movies (FREE)In a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part IIInvitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His LassItalian SouvenirsJJanáčekLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part IIILisztMMagnificent MagyarsMahler, Part IMahler, Part IIMaiden VoyagesMendelssohnMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith (FREE)Mozart Piano ConcertosMozart's Birthday BashMusic for the MassesMusic in the Time of WarNNadia BoulangerNationalismNew Releases, Part IINew Wine in Old Bottles (Free)New York Philharmonic: The Big Five, Part INew York Philharmonic: The Big Five, Part IINielsenNinth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New WorldOutward BoundPPastoral SymphoniesPiano ConcertosPolandPortraits in Black, Brown, & Beige, Part IPortraits in Black, Brown, & Beige, Part IIProkofievRRachmaninoffRavelRRespighiRussian Five: The Mighty HandfulSSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman (William) SchumannShakespeare (FREE)Shostakovich, Part IShostakovich, Part IISibelius and GriegSounds of the City of Lights (FREE)SoundtracksSpring is HereSt. Matthew PassionStrauss (Richard)Stravinsky (FREE)Strings Plus OneTTchaikovsky, Part ITchaikovsky, Part IIThe Four SeasonsThe Proud Tower, Part IThe Proud Tower, Part IIThe Roaring 20'sThe Symphony, Part IThe Symphony, Part IIThe Symphony, Part IIIThe Symphony, Part IVThe Symphony, Part IXThe Symphony, Part VThe Symphony, Part VI (French)The Symphony, Part VII (Russian)The Symphony, Part VIIIThrough the Mail SlotTone PoemsToo Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part IIUnfinished SymphoniesVVariationsVaughan WilliamsVeniceVerdi, Part IVerdi, Part IIVienna, Part IVienna, Part IIViolaWWagnerWagner's Ring CycleWater MusicWhat Else Ya Got?William WaltonWind QuintetsYYou and the Night and the Music
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- About Exploring Music
Mozart at his Zenith (FREE)
We begin on May 1786 at the first hearing of Mozart's opera The Marriage of Figaro. The work was originally a play by Pierre Beaumarchais from France, however, the play was banned and Beumanchais was thrown in jail. Mozart and librettist Lorenzo Da Ponte turned the work into an opera after Da Ponte received approval from Emperor Joseph II.
In June of 1786, Mozart wrote the Concerto for Horn and Orchestra No. 4 in E flat Major for his friend Joseph Leutgeb. He wrote four concertos for Leutgeb.
The program concludes with the Concerto for Piano and Orchestra No. 25 in C Major. This piece was conpleted on December 4, 1786.
Mozart: Le Nozze di Figaro, K. 492 (excerpts)
London Phil/Solti; Ramey, bs.; Popp, s.; Allen, bar.; Te Kanawa, s.
Mozart: Concerto for Horn and Orchestra No. 4 in Eb Major, K. 495, II & III
Academy of St. Martin in the Fields/Marriner; Tuckwell, hn.
Mozart: Concerto for Piano and Orchestra No. 25 in C Major, K. 503, I
Cleveland Orch/Szell; Fleisher, p.
On December 6, 1786, Mozart wrote that he began work on a symphony for Prague. Starting in January of 1787, he spent four weeks there, and supervised a performance of the Marriage of Figaro while he was there.
After that, he returned to Vienna and his wife and family. One of his most popular pieces, Eine Kliene Nachtmusik (A Little Night Music) was written there in 1787. It is heard here in its original setting for string quartet and double bass.
In October of 1787, Mozart returned to Prague with his opera Don Giovanni. The opera is difficult to categorize because of how funny and also how tragic it is.
Mozart: Symphony No. 38 in D Major, Prague, K. 504, I
Mozart: Serenade No. 13 in G major, K. 525, Eine Kleine Nachtmusik, II & IV
Guarneri Quartet, Levine, db.
Mozart: Don Giovanni, K. 527 (excerpts)
London Phil/Solti; Pertusi, bs.; Terfel, bs. bar.; Groop, ms.; Fleming, s.; Lippert, ten.; Scaltriti, bar.
5:25, 1:26, 2:53, 3:35, 7:41
Though Mozart didn't write any operas in 1788, this was largely due to politics and the Viennese ecomomy. Austrian Emperor Joseph II made the mistake of taking on the Ottoman Empire, and the Viennese economy went into a tailspin causing all the opera houses to close. This forced Mozart to focus on other kinds of composition.
Mozart in fact wrote three public pieces without a commission in 1788, including his Symphony No. 39 in E-flat Major. This piece was completed on June 26. Also completed on the very same day is his Adagio and Fugue in c minor for Strings.
Next, Mozart improves his fugue writing and includes one in his Symphony No. 41 in C major, better known as Jupiter.
The final piece of the program, Trio for Violin, Viola and Cello in E-flat major is dedicated to Michael Puchberg. Though Puchberg was Mozart's friend and fellow mason, he was also his financier. Mozart was never able to repay his loans to Puchberg, though he did dedicate several pieces to him.
Mozart: Adagio in b minor, K. 540
Mozart: Symphony No. 39 in E-flat Major, K. 543, I
Mozart: Adagio and Fugue in c minor for Strings, K. 546 (excerpt)
Mozart: Symphony No. 40 in g minor, K. 550, I
Mozart: Symphony No. 41 in C Major, K. 551, Jupiter, IV
Mozart: Trio for Violin, Viola and Cello in E flat major, K 563, VI
Kremer, v.; Kashkashian, vla.; Ma, vc.
Despite his very busy schedule, Mozart always found time for his friends. One of his closest friends was clarinetist Anton Stadler, and Mozart wrote a lot of music for him. Performed here is the first movement of the Quintet for Clarinet and Strings in A Major. It was written in 1789.
Next, we hear several excerpts from Cosi fan Tutti which translates roughly to "that's what they all do." This opera premiered and was conducted by Mozart on his 34th birthday on January 26, 1790. Lorenzo Da Ponte was again the librettist, but Cosi fan Tutti is the last time he worked with Mozart on an opera. Mozart did go on to compose two more.
Jumping ahead one year to January 1791, the program ends with Mozart's final piano concerto, Concerto No. 27 in B-flat Major.
Mozart: Quintet for Clarinet and Strings in A Major, K. 581, I
BSO Chamber Players; Wright, cl.
Mozart: Cosi fan Tutti (excerpts)
Philharmonia Orch/Böhm; soloists
4:45, 3:05, 18:34
Mozart: Concerto for Piano and Orchestra No. 27 in B-flat Major, K. 595, I
Academy of St. Martin-in-the-Fields/Marriner; Brendel, p.
Mozart was incredibly prolific during the last year of his life, 1791. He was working on two operas, The Magic Flute and The Clemency of Titus. Additionally, he was composing instrumental pieces and was given a downpayment to write a requiem mass from a mysterious stranger who came to his house.
On November 20, 1791, Mozart took to bed and never recovered. There is still debate about what caused his untimely death, but the most likely answer is rumatic fever. Mozart was still in the process of writing the requiem mass, and brought in one of his proteges so that he could dictate the music to him. On Decmeber 5, Mozart passed away, leaving the piece unfinished. What is played in today's show is the material that Mozart was likely to have written himself (not later completed by students).
Mozart: Quintet for 2 Violins, 2 Violas and Cello No. 6 in E flat major, K. 614, I
Guarneri Quartet; Kashkashian, vla.
Mozart: Ave verum corpus in D major, K. 618
Vienna Volksoper Chamber Orchestra/Harrer; Vienna Boys Choir
Mozart: “Der Vogelfanger bin ich ja” fr. Magic Flute
Academy of St. Martin-in-the-Fields/Marriner; Bär, bar.
Mozart: Concerto for Clarinet in A major, K 622, II
Berlin Phil/Abbado; Meyer, cl.
Mozart: Requiem in D minor, K. 626 (excerpts)
Atlanta Symphony Orchestra & Chorus/Shaw; Augér, s.; Ziegler, ms.; Hadley, ten.; Krause, bs.