- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music that have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers click here. To see the playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V An Intelligent Conversation: String Quartets Arias & Barcarolles (FREE)Artists in Exile, Part IArtists in Exile, Part IIAutumn Leaves Autumnal Masterpieces BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas OratorioBach's Not-So-Minor B-Minor MassBallad of East and West Barber, SamuelBartok, BelaBeethoven & that Danged MetronomeBeethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven QuartetsBerlioz, HectorBernstein, LeonardBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part II Britten, Benjamin Bruckner, Anton (FREE)CCall for ScoresCello Concertos Child's PlayChopin, FredericClash of the Titans Clowning AroundCopland, AaronCorigliano, JohnCzech out those Bohemians DDebussy, Claude (FREE)Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant NeighborsDon't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, EdwardEmotion and Meaning in MusicEspanaFFamilies of Instruments Family MattersFauré, GabrielFit for a KingFour SeasonsFrom This Mighty River: Music of the Children of J.S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its Influences Green and Pleasant Land HHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemith, PaulHHit or Myth Holiday CelebrationHomageII Didn't Know About YouI Hear a Rhapsody I Hear America SingingI Lost it at the Movies (FREE)In a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part I Invitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanacek, LeosKKeyboard SmorgasbordLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part IIILiszt, Franz Little Traveling Music, Please MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden VoyagesMendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith Mozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of Scandinavia (FREE)Musical Cryptograms NNationalismNew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPastoral Symphonies Piano ConcertosPolandPortraits in Black, Brown, & Beige, Part I Portraits in Black, Brown, & Beige, Part II Ports of Call, Part I Ports of Call, Part II (FREE)Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRavel, MauriceRRespighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty HandfulSSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part I Shostakovich, Dmitri, Part IISibelius and GriegSlipped Through the Cracks Sounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, Igor String Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02 Symphony, Part 03 Symphony, Part 04Symphony, Part 05 Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08 Symphony, Part 09Symphony, Part 10TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five, Part I: Chicago Symphony OrchestraThe Big Five, Part I: New York PhilharmonicThe Big Five, Part II: New York PhilharmonicThe Gathering Storm: Music from the Great Depression to WWIIThrough the Mail SlotTone Poems Too Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished SymphoniesVVariationsVaughan Williams, RalphVeniceVerdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II (FREE)ViolaViolin Concerto Voices from the East WWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYou and the Night and the Music
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Fauré, Gabriel Purchase Now
The first segment begins with a pair of short songs from very early on Fauré's career, "Le Papillon et la Fleur", and "Mai". Both were written when Fauré was only 16 years old, and they are stunningly beautiful. Next we hear Trois Romances sans paroles, "three romances without words" for piano. Fauré was adept at writing keyboard pieces, owing to his studies as an organ student. In line with this train of thought, we next move on to Cantique de Jean Racine, a five-minute piece written by Fauré for organ and choir. The version we hear is performed by an all-male chorus, with the higher registers sung by boys. Next is a piece called Allegro Symphonique, for four hands on piano. It began its life as a symphony written by Fauré when he was 20, then was adapted for piano a short time later. To end the segment, we hear a more mature piece by Fauré: Violin Sonata No. 1 in A Major.
Gabriel Fauré: “Le Papillon Et La Fleur”, Op. 1/1
Janet Baker, ms.; Geoffrey Parsons, p.
We first hear a little bit of amusement: Souvenirs de Bayreuth, made up entirely of little Wagner quotes that transforms the Ring cycle into comical party music. Next is another short little song, "Après Un Rêve", reminiscent of a rough rejection Fauré went through in life. We then hear a solo trumpet piece, the "Vocalise", which displays Fauré's wonderful gift of melody, regardless of the instrument. This is also heard in Fauré's Elégie, played in this segment on cello in C minor. C minor also features in the Piano Quartet #1 in C minor, a much lengthier piece that proves that in addition to Fauré's status as a "master of miniatures" he was also very capable of long works as well. We then finish with another small piece: "Berceuse", for piano and violin.
Gabriel Fauré: Souvenirs De Bayreuth #1
Patrick De Hooge, Pierre-Alain Volondat, pnos.
This segment begins with a short song titled "Mandoline", from L'Horizon Chimerique, then contrasts the somewhat joyous sounding piece with Nocturne No. 2, a beautiful mix of soft, moonlit passages combined with rambling restlessness. Then, with those little bits out of the way, we launch into Fauré's famous Requiem. We hear the whole thing, taking less than a minute to breathe for a moment in between. Fauré did not write his Requiem for anything in particular, instead writing it for his own enjoyment. It's an easy piece to learn for singers, and as a result is a popular piece for choir. We close the segment down with "Menuet" and "Pastorale", two short pieces from the Masques et Bergamasques Suite.
Fauré: “Mandoline” fr. L'Horizon Chimerique, Op. 118
Sanford Sylvan, bar.; David Breitman, p.
This segment begins with a short duet for soprano and baritone called "Pleurs d'or"--Tears of Gold. As established before, Fauré is a master of both the short and long forms, and what we hear next is one of his most famous, barring only the Requiem. We hear four sections of the Pelléas et Mélisande Suite, a set of incidental music written for a play in London. We revisit a short excerpt from the second section, but this time instead of orchestra it is played by piano and solo violin. Ten years before he wrote this music, he wrote the Madrigal de Shylock, another batch of incidental music for a play; we hear two pieces from it. Next is the Quartet for Strings in E minor, a piece composed toward the end of his life. We hear the 3rd movement, "Allegro". Next is the Dolly Suite, a collection of six pieces for piano, four-hands. They are about intimate and charming little details regarding a family Fauré was quite familiar with. The segment then closes with another short song, "Au Bord de L'eau", from Three Songs.
Gabriel Fauré: “Pleurs d'or”, Op. 72
Victoria De Los Angeles, s.; Dietrich Fischer-Dieskau, b.;
Gerald Moore, p.
We begin the final segment on Fauré with a wonderful piece: Violin Sonata No. 2 in E minor, of which we hear the second movement. We then hear the "Barcarolle No. 4", a short piece played by a woman who studied with Fauré, and then the large and lengthy Piano Trio in D minor, written during the last year of Fauré's life. Despite how old he was, Fauré's music did not betray his age, and sounded as vivacious and as beautiful as his earlier music. Next we hear a flute piece called "Fantaisie", which Fauré composed as a test piece for the Paris Conservatorie. The next piece comes not from Fauré, but from a composer named Florent Schmitt, who composed In Memoriam Gabriel Fauré, a memorial piece that resembles almost nothing that Fauré ever composed. We then wrap the program up with a wonderful setting of Fauré's Pavane.
Gabriel Fauré: Violin Sonata #2 In E Minor, Op. 108, II
Renaud Capuçon, v.; Michel Dalberto, p.
Virgin Classics 708762