- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers click here. To see the playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AA Call for ScoresA Green and Pleasant LandA Little Traveling Music, Please American Masters, Part I (FREE)American Masters, Part IIAmerican Masters, Part IIIAn Intelligent ConversationArias & BarcarollesArtists in Exile, Part IArtists in Exile, Part IIAutumn Leaves BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas OratorioBach's Not-So-Minor B-Minor MassBarberBartokBeethoven & that Danged Metronome Beethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven QuartetsBerliozBernsteinBill's KeepersBrahms, Part IBrahms, Part II Britten CCamille St-SaënsCello Concertos (FREE)Chicago Symphony Orchestra: The Big FiveChild's PlayChopinClowning AroundCoplandCoriglianoCzech out those BohemiansDDebussyDemons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant NeighborsDon't Shoot the Piano PlayerDvorakDvorák, Tchaikovsky & Borodin String QuartetsEElgarEspanaFFamilies of InstrumentsFamily MattersFauréFit for a KingGGame of Pairs, Part IGame of Pairs, Part IIGershwinGet the PictureGitana: Gypsy Music And Its InfluencesHHandelHHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemithHoliday CelebrationHomageII Didn't Know About YouI Hear America SingingI Lost it at the Movies (FREE)In a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part IIInvitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His LassItalian SouvenirsJJanáčekLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part IIILisztMMagnificent MagyarsMahler, Part IMahler, Part IIMaiden VoyagesMendelssohnMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith (FREE)Mozart Piano ConcertosMozart's Birthday BashMusic for the MassesMusic in the Time of WarNNadia BoulangerNationalismNew Releases, Part IINew Wine in Old Bottles (Free)New York Philharmonic: The Big Five, Part INew York Philharmonic: The Big Five, Part IINielsenNinth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New WorldOutward BoundPPastoral SymphoniesPiano ConcertosPolandPortraits in Black, Brown, & Beige, Part IPortraits in Black, Brown, & Beige, Part IIProkofievRRachmaninoffRRavelRespighiRussian Five: The Mighty HandfulSSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman (William) SchumannShakespeare (FREE)Shostakovich, Part IShostakovich, Part IISibelius and GriegSounds of the City of Lights (FREE)SoundtracksSpring is HereSt. Matthew PassionStrauss (Richard)Stravinsky (FREE)Strings Plus OneSweet Home Chicago (FREE)TTchaikovsky, Part ITchaikovsky, Part IIThe Four SeasonsThe Proud Tower, Part IThe Proud Tower, Part IIThe Roaring 20'sThe Symphony, Part IThe Symphony, Part IIThe Symphony, Part IIIThe Symphony, Part IVThe Symphony, Part IXThe Symphony, Part VThe Symphony, Part VI (French)The Symphony, Part VII (Russian)The Symphony, Part VIIIThrough the Mail SlotTone PoemsToo Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part IIUnfinished SymphoniesVVariationsVaughan WilliamsVeniceVerdi, Part IVerdi, Part IIVienna, Part IVienna, Part IIViolaWWagnerWagner's Ring CycleWater MusicWhat Else Ya Got?William WaltonWind QuintetsYYou and the Night and the Music
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- About Exploring Music
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Mendelssohn finds his voice at 15 with his piece, Overture for Wind Instruments in C Major. Felix Mendelssohn is recognized widely for his piano performances, his conducting and compositions. In fear of Napoleon's accusations of betrayal, Abraham Mendelssohn moved to Berlin with his wife and young children, one of whom was Felix. After the move, Abraham played a significant role in the inception of Felix's compositional career, as an intensive homeschooling parent. Mendelssohn idolized Bach, and began to make what would become his very own music, famous by the age of 16.
Mendelssohn: Concerto for Violin and Orchestra in E minor, Op. 64 (excerpts)
Concertgebouw/Haitink; Perlman, v.
Mendelssohn: String Symphony No. 3 in E Minor, I
English String Orchestra/Boughton
Mendelssohn: Symphony No. 1 in C Minor, Op. 11, III
Mendelssohn: Overture for Wind Instruments in C Major
Mendelssohn: Octet for Strings, I
Guarneri & Orion String Quartets
Mendelssohn: Overture fr. A Midsummer Night’s Dream
Mendelssohn: No. 2 from Seven Character-istic Pieces for Piano, Op. 7
Mendelssohn experiences his first failure that sends him running from the concert hall, crying. Surrounded by the encouragement to venture onto the creation of an opera, the 16-year-old composer did so, but his conductor, Spontini, delivered a dry performance with an audience that became abuzz by the middle of the second act. So in order to divert his own attention, Mendelssohn dove into St. Matthew Passion from his idol, Bach, and he learned the piano part to accompany his singing friends in Berlin. Later, Mendelssohn traveled to London where he was accosted by a man accusing him of using Beethoven's ideas in his string quartet.
Mendelssohn: Octet for Strings, II
Guarneri & Orion String Quartets
Bach: St. Matthew Passion (excerpt)
Decca 421 177
Mendelssohn: String Quartet in Eb Major, Op. 12, I
Julliard String Quartet
Mendelssohn: Hebrides Overture, in B minor, Op. 26, “Fingal’s Cave”
Mendelssohn: Concerto for Piano and Orchestra No. 1 in G Minor
Academy of St. Martin in the Fields/Marriner; Perahia, p.
Mendelssohn: Frühlingsglaube” & “Auf Flügeln des Gesanges”
Quasthoff, bar., Zeyen, p.
Abraham Mendelssohn converts his family from Judaism to Protestantism after observing Napoleon's mobile activities, and even adopts a new last name for the family. Mendelssohn composes a Protestant Reformation symphony. However, Adolf Hitler notices this effort to avoid Judaism, although Mendelssohn was not simply avoiding it. Rather, he was beginning to truly understand Protestant beliefs. Hitler did not allow Mendelssohn's music to be played in Germany and had a Mendelssohn statue destroyed.
Mendelssohn: Quintet for Strings no 1 in A major, Op. 18, II
Mendelssohn: Songs Without Words, Op. 19b (excerpt)
Mendelssohn: Symphony No. 5 in D major, Op. 107, Reformation, I (excerpt) & finale
Mendelssohn: Symphony No. 4 in A Major, Op. 90, Italian
Bill names many of the prominent composers Mendelssohn befriended, as well as the contracts Mendelssohn was offered and signed to conduct. Mendelssohn visits England and Scotland, where he is inspired to write his third symphony, the Scottish, though his symphonies are out of order, due to his repeated revisions.
Mendelssohn: St. Paul (excerpts)
Leipzig Radio Chorus & Gewandhaus Orchestra/Masur
Mendelssohn: Trio for Piano and Strings No. 1 in D minor, Op. 49, I
Schneider, v.; Casals, vc.; Horszowski, p.
Mendelssohn: Symphony No. 3, Scottish, I & II
Mendelssohn: Scherzo fr. A Midsummer Night’s Dream
Mendelssohn: Symphony No. 3, Scottish, III (edited excerpts)
Mendelssohn continues to travel and conduct, and he plays for Queen Victoria who proves to him her gratitude, with a beautiful ring. Mendelssohn becomes an international figure, and is even accompanied by W.F.E. Bach at the erection of a monument dedicated to Johann Sebastian Bach. The great composer completes the oratorio, Elijah, which regards a search for truth. Mendelssohn learns of his sister's death upon his arrival in Frankfurt, and writes a slow, angular piece, the String Quartet in F Minor, Op. 80.
Mendelssohn: Concerto for Violin and Orchestra in E Minor, Op. 64
Concertgebouw/Haitink; Perlman, v.
Mendelssohn: Elijah (excerpts)
Mendelssohn: String Quartet in F Minor, Op. 80 (excerpts)
1:42, 1:00, 1:09
Mendelssohn: Nocturne & Finale fr. A Midsummer Night’s Dream
Berlin Phil/Abbado; Branagh, n.
Descriptions coming soon!