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The Making of an Exploring Music Program

The Making of an Exploring Music Program

There are many hours of research, planning, and production that go into the making of a single one-hour Exploring Music program. A dedicated team of people from all over the country contribute their talents and efforts so that Exploring Music can be listened to by a national audience.

One of the unique challenges of Exploring Music is that Bill McGlaughlin lives in New York, where all the recording takes place. However, the production team is based out of WFMT in Chicago, and Exploring Music is nationally syndicated, broadcasting from stations as geographically diverse as KNOM in Nome, Alaska, KHPR in Honolulu, WXXI in Rochester, New York and KPRG in Guam. Below, we've detailed how the program makes its way onto the airwaves around the country.




Planning for a week of Exploring Music programs begins weeks before Bill goes into the studio. The season is divided into five-program weeks that explore a particular topic, from Handel and Bach to symphonies and string quartets. Devoting five full hours to one theme allows for a great deal of depth that would be impossible in a once-a-week radio program. It also necessitates a great deal of research and planning to present the music in way that is enlightening and enjoyable.

Once a topic for the five programs is decided, potential programming is suggested by both Bill and the producers. For any given topic, this potential programming might encompass 30-50 hours of music, which must be condensed into 5 total hours of radio. The music usually comes from WFMT's extensive library in Chicago, so mp3s of all the discs are made, liner notes are copied, and everything is sent off to Bill in New York.

Meanwhile, in New York, Bill is usually very busy at the public library getting source material and doing research for the upcoming recording sessions. After becoming familiar with the nuances of a particular topic, he is then able to decide which pieces to include and what his commentary is going to be. All Exploring Music programs must be exactly 58 minutes and 30 seconds in length, so the timing of everything is always a factor.




Once the programming is decided upon, Bill McGaughlin and Bill Siegmund goes into the WQXR studios on 5th Ave. in New York to record Exploring Music. They also record at Digital Island Studios.

During the recording session, Bill records the 'voice tracks' for what will eventually become an Exploring Music program. There is no script written out, allowing for spontaneity and a casual feel, but Bill usually has a general outline of what he wants to discuss and what examples he wants to play at the piano. Usually, he'll voice the same section multiple ways, attempting to find the most concise and entertaining way to present all the information. Once the tracks for all five programs have been recorded, the audio files are given to Bill Siegmund and Cydne Gillard for post-production.




At this point, Cydne and Bill Siegmund receive the recording session files and start editing them down into a usable version. Multiple takes are examined for the best sounding versions, and often snippets from the entire session are used to make a coherent whole. Music is added, volume levels between the music and Bill's voice is adjusted, and the program is timed out to 58:30. Often, music is added underneath Bill's narration, or small snippets of music are played, requiring additional editing work.

If the program runs longer than this, extraneous material must be taken out. If shorter, then fill music or additional movements are added to bring the program up to length. This is one reason that there are multiple versions of the theme music- they help bring the show up (or down) to length.




Once each program is completed it is handed over to Operations Department, headed by Joshua Sauvageau. They listen very closely to each episode for errors or glitches before uploading it to the Public Radio Exchange, or PRX. PRX automates the delivery of each show to radio stations around the nation. Shows are then handed to Erik Opland to upload to the Exploring Music website. That is how Exploring Music is enjoyed by so many listeners all over the country; on their local radio stations, streamed through the internet, or listened at



The Exploring Music streaming website is supported by Mr. & Mrs. William Gardner Brown and the Richard P. and Susan Kiphart Family.  
You have opened up the world of Classical Music to me, where previously, it seemed too complicated.
Steffen Demeter
This is simply one of the very best radio programmes in the medium!...The study of the people, the times, and the events that inform the music we otherwise enjoy and even, heaven forbid, take for granted, brings the entire world of the music and the composer to life.
Walther Davies
There isn't a program you broadcast on Exploring Music" that isn't of interest. I find them all engaging. It is a combination of variety of subject, intellectual curiosity and your obvious enthusiasm which characterize your satisfying programs.
Michael Sanders
It’s a great way to re-engage myself with consciousness before heading off to work.
I Love this program! I am in 7th grade and I am the complete opposite of the other kids. I am 4th chair in the orchestra and I love to read. But most of all, I LOVE classical music!
Claudia Wertz
Your show has helped open my mind and heart to this world of music, and every show I hear confirms my place in music and gives me new ideas for where I'd like to go with it in the future….I grew up with classical music as a child and always held it in my heart, but I didn't have the confidence to be a good student (or a good violinist.)
Christine Anderson
Listening to you is almost interactive.You invite us in with so many well modulated dramatic and informative comments, enticing, enthusiastic interpretations, and coherent, beautiful presentations. It's a privilege to follow you into the musical space you create.
Sally Rosenbaum
I just love this program. It is soothing and comfortable at the end of the day. I find his comments interesting, but they aren't so dragged out that there is very little music. The balance of both is just right.
Jean Quay
Newsletters Thank You!