Exploring Music's Top Five Spookiest Selections
Darkness has descended on Exploring Music as we investigate composers’ fascination with ghosts, goblins, Mephistopheles and other phantasmagoria. Here are the top five spookiest pieces we played this week in order from least to most terrifying. Disagree, think we missed something, or want to suggest your own scary selection? Post in the comments below.
More mysterious than menacing, this piece for orchestra and mezzo-soprano by Manuel de Falla follows the journey of one woman as she tries to exorcise the spirit of her dead husband. Anyone familiar with Falla's Siete Canciones Populares may be reminded of his song, "Polo", both pieces have a mezzo-soprano singing "Ay!" over active accompaniment !
Join dancing skeletons, Death, spooks and more with Camille Saint-Saëns's Danse Macabre. Evocative use of the tritone might have pushed this selection higher on our list, but the work ends with a happy ending -- the break of day.
Listeners might remember Mussorgsky's Night on Bald Mountain from it's use in the Walt Disney classic, Fantasia, but even without animation this work still frightens. Although, much like Danse Macabre the work ends happily.
Next Berlioz's La Damnation de Faustioz plunges us into deep darkness. The Ride to the Abyss is particularly chilling with real screams and a triplet figure that mimics galloping horses dragging Faust into Hell.
For all of Berlioz's bluster, Schubert is the one who understands true terror. In no song is this clearer than Erlkönig. From the seductive major tonality of Death, to the child's frenzied cries, to the father's denial, to the narration of the inevitable conclusion, it's hard to think of a more chilling piece of music.
There's no composer that says "opera" like Verdi. Join us for the second part of our two week series as we hear Verdi's take on Shakespeare, Egyptian princesses, and perhaps the grandest requiem ever written. Post your thoughts on the show here and your comment might be read on air. Plus keep reading for a special note from Bill on how he researched the show.
A Note From Bill
A towering presence in Italian art and perhaps the greatest composer of 19th century opera, Giuseppe Verdi is one of the most venerated figures in classical music. This week we begin a ten-part series investigating his life and music. Airing this week on a radio station near you! Join us here, on our Exploring Music blog, for previews and supplemental content for the coming week, read the post, listen to the show, and then tell us what you think! If you're curious what's playing you can click to listen and find playlists, or you can sign up to have playlists and show summaries delivered to your inbox every Monday!
On Monday we briefly surveyed the operatic tradition that was Verdi's springboard, and began to brush away the cobwebs of myth and mystery of Verdi's early life. Oh, and as always we listen to his music. His beautiful, beautiful, music.
As Bill would say, "Man that boy wrote a lot of music!" On Tuesday we explore all the obscure nooks and crannies of Verdi's repertoire, including a trip to Medieval Spain, Shakespeare's Scotland, and even France!
Rumor has it that a hundred thousand voices rose in song at Verdi's funeral, but don't worry, we haven't finished our week on Verdi just yet, but on Wednesday we do investigate some of Verdi's most stirring opera choruses. Click here to see a cute animated version of the Gypsy Chorus from La Traviata!
Could it get any better than Verdi's Rigoletto and La Traviata? Bill sure doesn't think so. Listen to Thursday's program and enjoy some of the most popular classical music on earth.
Despite Verdi being known for his work in an art form intimately connected with language, his music transcends words. To end our first week on Verdi, we explore some of his greatest overtures.
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