- Program List
Below are many of the more than 200 five-hour 'weeks' of Exploring Music that have been created since 2003. To sort through the shows by composers Click Here. To see the Playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AACTIVE 3/1 - 3/14 Ravel, MauriceAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V American Masters, Part VIAn Intelligent Conversation: String Quartets Arias & BarcarollesArtists in Exile, Part IArtists in Exile, Part II Autumn Leaves Autumnal Masterpieces BBach Sleeps in on SundaysBach to BeethovenBach's Christmas Oratorio Bach's Not-So-Minor B-Minor MassBallad of East and West Baltic MusicBarber, SamuelBartok, BelaBeethoven and that Danged MetronomeBeethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven Piano SonatasBeethoven Quartets Berlioz, HectorBernstein, Leonard: The ComposerBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part IIBritten, Benjamin Bruckner, Anton CCall for ScoresCarnegie Hall, Part 1Carnegie Hall, Part 2Cello Concertos Child's PlayChopin, FredericClash of the Titans Clowning AroundCopland, Aaron Corigliano, JohnCzech out those Bohemians DDebussy, Claude Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant Neighbors Don't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, EdwardEmotion and Meaning in MusicEnescu, GeorgesEspañaFFamilies of Instruments Family Matters: All in the FamilyFauré, GabrielFit for a KingFleisher, LeonFour SeasonsFranck, CésarFrom the Mountains to the SeaFrom This Mighty River: Music of the Children of J S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its InfluencesGreen and Pleasant Land Grieg and SibeliusHHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHHidden Gold, Part IIHindemith, PaulHit or MythHoliday CelebrationHomageHow Strange the Change from Major to Minor, Part IHow Strange the Change from Major to Minor, Part IIII Didn't Know About YouI Hear a Rhapsody I Hear America SingingI Lost it at the MoviesIn a Family WayIncidentally SpeakingIntimate Conversations: Conversations with Samuel Rhodes and David FinckelInvitation to the Dance, Part IInvitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanáček, LeošKKeyboard SmorgasbordLLatin CarnivalLes Cinq PlusLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part III Liszt, FranzLittle Night Music Little Traveling Music, Please London, The Music of, Part 1London, The Music of, Part 2MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden Voyages Martha Graham and her MusicMendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMillennium of Women in MusicMozart at his ZenithMozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic from the Magic Box Music in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of ScandinaviaMusical CryptogramsMusical LandscapesNNationalismNew Releases, Part INew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPacific Overtures, Part 1Pacific Overtures, Part 2Pastoral SymphoniesPiano ConcertosPolandPorts of Call, Part I Ports of Call, Part II Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRavel, Maurice Respighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty Handful SSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part IShostakovich, Dmitri, Part IISlipped Through the Cracks Songs of PartingSounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, IgorString Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10 (Alexander Scriabin to Samuel Barber)Symphony, Part 11Symphony, Part 12TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five I: Chicago Symphony Orchestra, Part IThe Big Five II: New York Philharmonic, Part IThe Big Five II: New York Philharmonic, Part IIThe Gathering Storm: Music from the Great Depression to WWIIThrough the Mail SlotTo the Finland Station, Part ITo the Finland Station, Part IITone Poems Too Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished Symphonies VVariationsVaughan Williams, RalphVenice: The Glories ofVerdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II ViolaViolin Concerto Virtuoso, The World ofVoices from the EastWWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYin and Yang: The Play of Opposites, Part 1Yin and Yang: The Play of Opposites, Part 2You and the Night and the Music
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- About Exploring Music
We begin with a thundering Polonaise in A No. 1, "Military", the work of Polish composer Chopin and a sort of unofficial anthem during the Second World War. Next are the second and third of Chopin's Mazurkas, a more mysterious set of quintessentially-sounding Polish tunes. Next we move to the southwest, to Bohemia, in what is now the Czech Republic, and we hear two Furiants of Smetana--one from Czech Dances, one from The Bartered Bride. Next is Dvorák trying his hand at the same dance form as part of Slavonic Dances. We hear Nos. 8 and 10. Next, we stay Czech, but turn to Moravia to hear from Janácek. This piece, Taras Bulba, was written in the hopes that the Russians would defat the Germans, whom they were at war with at the time, so that they would then advance and drive the Austrians out of Moravia. We hear a large excerpt from this piece. Finally, we close out the segment by visiting Romania and hearing Enescu's Romanian Rhapsody No. 1. Compared to the other pieces we have heard in this segment, this one is relievedly cheerful.
Chopin: Polonaise in A, Op. 40 No. 1, Military
Chopin: Mazurkas Op. 17 No. 2 & Op. 33 No. 3
Smetana: Czech Dances- Furiant
Smetana: Furiant fr. The Bartered Bride
Dvorák: Slavonic Dances Op. 46 No. 8 & Op. 72 No. 10
Janácek: Taras Bulba (excerpt)
Toronto Symphony Orchestra/Davis
Enescu: Romanian Rhapsody No. 1
London Symphony Orchesta/Previn
In this segment, we look at Hungary in particular, but we start with a pair of very German sounding pieces. After a short excerpt from Brahms' Hungarian Dance No. 1 in G Minor, we then listen to Liszt's quite popular Hungarian Rhapsody No. 2. This demonstrates just how enthralling Hungarian music can be, even if it isn't being utilized by a Hungarian native. But Hungary has produced its fair share of composers, so we give some of them a listen as well, starting with Dohnányi's Ruralia Hungarica. This is a piece based on Hungarian folk songs, something common not only in what we will hear in this segment but also in nationalistic music as a whole, as composers travel throughout the countryside in order to gain a sense of what the real national identity is as opposed to what's going on at a conservatory. The same sort of idea was explored by Bartók, and we hear Nos. 1, 2, and 5 of his Hungarian Sketches, which arguably has a stronger Hungarian flavor than what we heard of Ruralia Hungarica. We then hear a sprightly Kodály piece, Dances of Galanta, and then close out the segment with a last little bit of Ruralia Hungarica.
Brahms: Hungarian Dance No. 1 in G Minor
Liszt: Hungarian Rhapsody No. 2
Dohnányi: Ruralia Hungarica, I
West Australian Symphony/Mester
Bartók: Hungarian Sketches Nos. 1, 2 & 5
Kodály: Dances of Galanta
Dohnányi: Ruralia Hungarica, No. 6
Heifitz, v.; Sandor, p.
In this segment, we find ourselves in France, and since there is a vast wealth of French composers, we're going to focus in on just three of them that aren't heard as much as some others. We start with Bizet's L'alesienne, hearing a few pieces of it at a time. We then move onto Canteloube, with several excerpts from Songs of the Auvergne. We then close out with a delightful wind quintet by Milhaud: La cheminée du roi René.
This segment begins with an arrangement of the folk tune "Folkdance from the Hills" by Grieg, a Norwegian composer who, like other composers we have previously heard, composed pieces based on folk songs and fiddle tunes from Norwegian towns. His interest in folky material was cultivated by a discovery of his heritage; Grieg, like many middle-class Norwegians, spoke Danish growing up, since Norwegian was a poor-person's language. We hear more examples of his journey into his heritage by taking a glance through a few excerpts from his Lyric Pieces, all of which evoke various moods and settings throughout Norwegian tradition. We finish up Grieg with a lovely song written for his wife, "The Singing". Next we move down south to Denmark, to hear music of Nielsen. We start with his Symphony No. 3, second movement, a wonderfully calm piece, and then more to his Symphony No. 4, fourth movement, a much more dramatic piece. We finish the segment off in Finland, with Sibelius, who wrote pieces that defined the Finnish struggle for independence and identity. We hear the first part of his Lenninkäinen Legends.
Trad., arr. Grieg: Folkdance from the Hills
Buen, Hardinger Fiddle
Grieg: Lyric Pieces (excerpts)
2:19, 2:51, 3:43, 1:44
Grieg: The Singing
Hirsti, s.; Jansen, p.
Nielsen: Symphony No. 3, II
Royal Danish Orchestra/Berglund
Nielsen: Symphony No. 4, IV
Swedish Radio Symphony/Salonen
Sibelius: Lenninkäinen Legends, I
The segment starts, rather suddenly, in Russia, with Mussorgsky's Prelude to Kohvanshina, a piece that depicts the sunrise over the Kremlin. Much like a number of Mussorgsky's work, Kohvanshina was left unfinished by Mussorgsky and had to be completed by his friend, Rimsky-Korsakov. But Rimsky-Korsakov had a number of great works of his own, and we hear a big one: the Russian Easter Overture. Next, we move clear to the other side of Europe and hear some British music, first from Vaughan Williams. Despite studying with the French composer Ravel, Vaughan Williams was encouraged to have his own sound, and so he did. We hear his Fantasia on a Theme of Thomas Tallis, which he composed shortly after returning from France. Next is a quirky collection of folk songs put together by Grainger for wind band, the Lincolnshire Posey. Grainger, an Australian, walked around the region of Lincolnshire carrying an elaborate recording machine and collecting folk songs. He would then write them as he heard them, keeping odd time changes from how the songs were performed. Before we end the program, we hear a short Vaughan Williams tune: "The Could Capp'd Towers", from Three Shakespeare Songs.
Mussorgsky: Prelude to Kohvanshina
Rimsky-Korsakov: Russian Easter Overture
New York Phil/Temirkanov
Vaughan Williams: Fantasia on a Theme of Thomas Tallis
Orpheus Chamber Orchestra
Grainger: Lincolnshire Posey
Eastman Wind Ensemble/Fennell
Vaughan Williams: “The Could Capp’d Towers” fr. Three Shakespeare Songs