- Program List
Below are many of the more than 200 five-hour 'weeks' of Exploring Music that have been created since 2003. To sort through the shows by composers Click Here. To see the Playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AACTIVE 3/1 - 3/14 Ravel, MauriceAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V American Masters, Part VIAn Intelligent Conversation: String Quartets Arias & BarcarollesArtists in Exile, Part IArtists in Exile, Part II Autumn Leaves Autumnal Masterpieces BBach Sleeps in on SundaysBach to BeethovenBach's Christmas Oratorio Bach's Not-So-Minor B-Minor MassBallad of East and West Baltic MusicBarber, SamuelBartok, BelaBeethoven and that Danged MetronomeBeethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven Piano SonatasBeethoven Quartets Berlioz, HectorBernstein, Leonard: The ComposerBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part IIBritten, Benjamin Bruckner, Anton CCall for ScoresCarnegie Hall, Part 1Carnegie Hall, Part 2Cello Concertos Child's PlayChopin, FredericClash of the Titans Clowning AroundCopland, Aaron Corigliano, JohnCzech out those Bohemians DDebussy, Claude Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant Neighbors Don't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, EdwardEmotion and Meaning in MusicEnescu, GeorgesEspañaFFamilies of Instruments Family Matters: All in the FamilyFauré, GabrielFit for a KingFleisher, LeonFour SeasonsFranck, CésarFrom the Mountains to the SeaFrom This Mighty River: Music of the Children of J S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its InfluencesGreen and Pleasant Land Grieg and SibeliusHHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHHidden Gold, Part IIHindemith, PaulHit or MythHoliday CelebrationHomageHow Strange the Change from Major to Minor, Part IHow Strange the Change from Major to Minor, Part IIII Didn't Know About YouI Hear a Rhapsody I Hear America SingingI Lost it at the MoviesIn a Family WayIncidentally SpeakingIntimate Conversations: Conversations with Samuel Rhodes and David FinckelInvitation to the Dance, Part IInvitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanáček, LeošKKeyboard SmorgasbordLLatin CarnivalLes Cinq PlusLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part III Liszt, FranzLittle Night Music Little Traveling Music, Please London, The Music of, Part 1London, The Music of, Part 2MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden Voyages Martha Graham and her MusicMendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMillennium of Women in MusicMozart at his ZenithMozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic from the Magic Box Music in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of ScandinaviaMusical CryptogramsMusical LandscapesNNationalismNew Releases, Part INew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPacific Overtures, Part 1Pacific Overtures, Part 2Pastoral SymphoniesPiano ConcertosPolandPorts of Call, Part I Ports of Call, Part II Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRavel, Maurice Respighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty Handful SSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part IShostakovich, Dmitri, Part IISlipped Through the Cracks Songs of PartingSounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, IgorString Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10 (Alexander Scriabin to Samuel Barber)Symphony, Part 11Symphony, Part 12TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five I: Chicago Symphony Orchestra, Part IThe Big Five II: New York Philharmonic, Part IThe Big Five II: New York Philharmonic, Part IIThe Gathering Storm: Music from the Great Depression to WWIIThrough the Mail SlotTo the Finland Station, Part ITo the Finland Station, Part IITone Poems Too Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished Symphonies VVariationsVaughan Williams, RalphVenice: The Glories ofVerdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II ViolaViolin Concerto Virtuoso, The World ofVoices from the EastWWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYin and Yang: The Play of Opposites, Part 1Yin and Yang: The Play of Opposites, Part 2You and the Night and the Music
- Listen to the Show
- About Exploring Music
Life Among the Dead: Requiem Masses
Bill begins with the true story of Mozart's requiem mass, made infamous by the Peter Schaffer film Amadeus, as well as excerpts from the piece. We then hear the opening sections of the requiems of Hector Berlioz and Giuseppe Verdi from the following century. We close with Antonin Dvorak's Kyrie, as well as with Mozart's Tuba Mirum movement from his requiem.
Mozart: Requiem, Kyrie & Dies Irae fr. Requiem, K. 626
Concentus Musicus Wien/Harnoncourt
Berlioz: Requiem & Kyrie fr. Grande Messe des Morts
London Symphony Orchestra and Chorus/Davis
Dvorák: Kyrie fr. Requiem Mass, Op. 89
Czech Philharmonic Orchestra & Chorus/Ancerl
Mozart: Tuba Mirum fr. Requiem
Concentus Musicus Wien/Harnoncourt; Finley, bar.; Schäfer, s.; Fink, alto; Streit, ten.
We return to the requiem masses of Berlioz and Verdi. We hear their Dies Irae, or "Day of Wrath" passages. Bill shows how these composers handle the same material with their own unique touch.
We hear the remainder of the "Sequentia" section of Mozart's requieum, containing the Confutatis and the Lachrymosa, the last music Mozart wrote before his death. Next is Berlioz's massive Sequentia, a stark contrast to Mozart's setting. Bill ends with the more intimate setting by Gabriel Fauré.
Mozart: Rex Trememde, Ricordare, Confutatis & Lachrymosa fr. Requiem, K. 626
Concentus Musicus Wien/Harnoncourt
Berlioz: Quid sum miser, Rex tremendae, Quaerens me & Lachrymosa fr. Grande Messe des Morts
London Symphony Orchestra and Chorus/Davis
Fauré: Sanctus, Pie Jesu, & Agnus Dei fr. Requiem, Op. 48
La Chapelle Royale Paris/Herreweghe
Bill opens with the remainder of Mozart's setting of the requiem, written by his pupil Franz Xavier Süssmayr. We then return to Berlioz's Sanctus, and finally the thrilling and profound conclusion to Verdi's version of the same text. We end with the setting by French composer Maurice Duruflé.
Mozart: Sanctus, Benedictus, Agnus Dei & Lux Aeterna fr. Requiem, K. 626
Atlanta Symphony Orchestra and Chorus/Shaw
Berlioz: Sanctus fr. Grande Messe des Morts
BSO/Munch; Simoneau, ten.
Verdi: Sanctus, Agnus Dei, Lux Aeterna & Libera Me fr. Requiem Mass
Philharmonia Orchestra & Chorus/Giulini; Ludwig, ms.; Schwarzkopf, s.; Gedda, ten.; Ghiaurov, bs.
Duruflé: Sanctus fr. Requiem, Op. 9
Orchestra and Chorus of the Academy of Saint Cecilia/Chung; Terfel, bar.; Bartoli, ms.
Bill tackles the German Requiem of Johannes Brahms, which deviates from the traditional liturgical Latin text. In each movement, Brahms captures a huge emotional span by taking sorrowful, dark music and lifting it up into a bright and hopeful mood.
Brahms: German Requiem, Op. 45: I-IV, VI
Philharmonia Orchestra/Klemperer; Fischer-Dieskau, bar.
9:53, 14:26, 9:48, 17:22