- Program List
Below are many of the more than 200 five-hour 'weeks' of Exploring Music that have been created since 2003. The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below). For complete access to all of the shows, click here to become a subscriber. To sort through the shows by composers Click Here. To see the Playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V An Intelligent Conversation: String Quartets Arias & BarcarollesArtists in Exile, Part IArtists in Exile, Part II Autumn Leaves Autumnal Masterpieces BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas Oratorio Bach's Not-So-Minor B-Minor MassBallad of East and West Baltic MusicBarber, SamuelBartok, BelaBeethoven and that Danged Metronome (FREE)Beethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven Quartets Berlioz, HectorBernstein, LeonardBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part II Britten, Benjamin Bruckner, Anton CCall for ScoresCello Concertos Child's PlayChopin, FredericClash of the Titans Clowning AroundCopland, Aaron Corigliano, JohnCzech out those Bohemians DDebussy, Claude Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant Neighbors Don't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, EdwardEmotion and Meaning in MusicEnescu, GeorgesEspanaFFamilies of Instruments Family Matters: All in the FamilyFauré, GabrielFit for a KingFour SeasonsFrom This Mighty River: Music of the Children of J.S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its InfluencesGreen and Pleasant Land Grieg and SibeliusHHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemith, PaulHit or MythHoliday CelebrationHHomageHow Strange the Change from Major to Minor, Part IHow Strange the Change from Major to Minor, Part IIII Didn't Know About YouI Hear a Rhapsody I Hear America Singing I Lost it at the MoviesIn a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanacek, LeosKKeyboard SmorgasbordLLatin CarnivalLes Cinq Plus (FREE)Les SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part III Liszt, FranzLittle Night Music Little Traveling Music, Please MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden Voyages Mendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith Mozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic from the Magic Box Music in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of ScandinaviaMusical CryptogramsMusical LandscapesNNationalismNew Releases, Part INew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPastoral SymphoniesPiano ConcertosPolandPortraits in Black, Brown, & Beige, Part I Portraits in Black, Brown, & Beige, Part II Ports of Call, Part I Ports of Call, Part II Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRavel, MauriceRRespighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty Handful SSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part I Shostakovich, Dmitri, Part IISlipped Through the Cracks Sounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, IgorString Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10Symphony, Part 11TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five I: Chicago Symphony Orchestra, Part IThe Big Five II: New York Philharmonic, Part IThe Big Five II: New York Philharmonic, Part IIThe Gathering Storm: Music from the Great Depression to WWIIThrough the Mail SlotTo the Finland Station, Part ITo the Finland Station, Part IITone Poems Too Darn BigTriple Play (FREE)Tudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished Symphonies VVariationsVaughan Williams, RalphVenice: The Glories of (FREE)Verdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II ViolaViolin Concerto Virtuoso, The World ofVoices from the East WWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYin and Yang: The Play of Opposites, Part 1Yin and Yang: The Play of Opposites, Part 2You and the Night and the Music
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Wagner, Richard Purchase Now
"The greatest genius that ever lived" proclaimed WH Auden, while Rossini said that Wagner had "beautiful moments but awful quarters of an hour." Love him or hate him, Wagner is an undeniable force who stretched tonality and orchestration to their utmost limits. This week (and next) we celebrate Wagner's 200th birthday in grand style with programs filled to the brim with his music.
We start off with the prelude to Act III of Lohengrin, just enough to hear its dramatic horn lines, then an excerpt of the ominous overture to Faust. The latter was originally intended for a symphonic work, but was then repurposed for opera. Next is another short appetizer before our main courses: the opening to the overture to Rienzi. We hear and study all of these little snippets, then we dive head-on into some full-on, proper Wagner, starting with the overture to Der Fliegende Holländer, the Flying Dutchman. Afterwards, we investigate Wagner's love of gigantic intervals, then hear more from the Flying Dutchman, with "Jo Ho Hoe! Trafft Ihr Das Schiff". After this we listen to the overture and "Baccanale" from Tannhauser, both highly rousing and beautiful pieces. We close the segment out with...Dvorák? Yes, actually, we listen to a little passage from Dvorák's Carnival Overture and realize that there's a bit of notational progression taken straight from Tannhauser.
Richard Wagner: Lohengrin, Act III Prelude (excerpt)
Philadelphia Orchestra/Christian Thielemann
We pick up where we left off in the last segment with "Dich, Teure Halle, Gruß Ich Weider", "Entrance of the Guests", and "Wie Todesahnung Dammrung Deckt Die Lande... O Du Mein Holder Abendstern", all from Tannhauser. We then shift gears to the Act I Prelude, "Mein Lieber Schwan", and Act III Prelude, all from Lohengrin, a piece whose loveliness hid the tummult that was going on in Wagner's life while he was writing it. Next is a scratchy, 100 year old recording of the Albumblatt in C Major, a short song for violin and piano. We then finish the segment off with two more fantastic pieces: the Prelude from Tristan Und Isolde, and "Der Engel" from Wesendonck-Lieder.
Wagner: “Dich, Teure Halle, Gruß Ich Weider,” from
Berlin Philharmonic Orchestra/Claudio Abbado;
Cheryl Studer, s.
Wagner: “Entrance of the Guests,” from Tannhauser, Act II (excerpts)
Slovak Philharmonic Orchestra/Halasz
All throughout this segment are excerpts from Tristan und Isolde, an opera made massively famous by a single chord from the opening. But it would hardly be worth analyzing if an opera could be summarized in a single chord, would it? For this reason, it's a good idea to sit back and let Bill demonstrate just how much meaning and expressiveness can be squeezed out of an opera with only so much time to describe it.
Wagner: Tristan und Isolde (excerpts)
Philharmonia Orchestra & Royal Opera House Chorus/Wilhelm
Furtwangler; Ludwig Suthaus, Kirsten Flagstad, Dietrich
Fischer-Dieskau, Blanche Thebom, etc.
:24, 3:14, 1:23, 7:05, 27:42, 7:22
Don't look here if you don't want the surprise spoiled! Done listening? Good. What we heard there was Mozart's Symphony No. 41 in C, fourth movement, the "Jupiter" symphony, played right up against the overture to Wagner's Die Meistersinger von Nurnberg, the only comedy opera Wagner ever wrote. The point of that was to illustrate how in Meistersinger, Wagner draws on Mozart's ideas of counterpoint in his composition. Then we listen to numerous excerpts from a production of Meistersinger that Bill wanted to show in particular, in a manner similar to the previous segment's analysis of Tristan und Isolde. It reaches a massive conclusion, the Grammy-winning Chicago Symphony Orchestra and Chorus erupting in thunderous applause at the end. We close out with the song "Was Duftet Doch der Flieder" from Meistersinger in a rendition performed by the Berlin Philharmonic.
Mozart: Symphony #41 in C, K551, IV (excerpt)
Academy of St. Martin in the Fields/Neville Marriner
This final segment explores the most personal and intimate of Wagner's operas, Parsifal. It was the first to be performed in Bayreuth on a stage built for him. As with previous segments, Bill takes us through a wondrous journey through this opera, so make sure all is comfortable so that we can hear all of it to close out this edition of Exploring Music.
Wagner: Parsifal (excerpts)
Bayreuth Festival Orchestra & Chorus/Hans Knappertsbusch;
Jess Thomas, Irene Dalis, etc.