- Program List
Below are many of the more than 200 five-hour 'weeks' of Exploring Music that have been created since 2003. To sort through the shows by composers Click Here. To see the Playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AACTIVE 3/1 - 3/14 Ravel, MauriceAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V American Masters, Part VIAn Intelligent Conversation: String Quartets Arias & BarcarollesArtists in Exile, Part IArtists in Exile, Part II Autumn Leaves Autumnal Masterpieces BBach Sleeps in on SundaysBach to BeethovenBach's Christmas Oratorio Bach's Not-So-Minor B-Minor MassBallad of East and West Baltic MusicBarber, SamuelBartok, BelaBeethoven and that Danged MetronomeBeethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven Piano SonatasBeethoven Quartets Berlioz, HectorBernstein, Leonard: The ComposerBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part IIBritten, Benjamin Bruckner, Anton CCall for ScoresCarnegie Hall, Part 1Carnegie Hall, Part 2Cello Concertos Child's PlayChopin, FrédéricClash of the Titans Clash of the Titans IIClowning AroundCopland, Aaron Corigliano, JohnCzech out those Bohemians DDebussy, Claude Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant Neighbors Don't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, EdwardEmotion and Meaning in MusicEnescu, GeorgesEspañaFFamilies of Instruments Family Matters: All in the FamilyFauré, GabrielFit for a KingFleisher, LeonFour SeasonsFranck, CésarFrom the Mountains to the SeaFrom This Mighty River: Music of the Children of J S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its InfluencesGreen and Pleasant Land Grieg and SibeliusHHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHHindemith, PaulHit or MythHoliday CelebrationHomageHow Strange the Change from Major to Minor, Part IHow Strange the Change from Major to Minor, Part IIII Didn't Know About YouI Hear a Rhapsody I Hear America SingingI Lost it at the MoviesIn a Family WayIncidentally SpeakingIntimate Conversations: Conversations with Samuel Rhodes and David FinckelInvitation to the Dance, Part IInvitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanáček, LeošKKeyboard SmorgasbordLLatin CarnivalLes Cinq PlusLes SixLet me Tell you a Story, part 1Let me Tell you a Story, part 2Life Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part III Liszt, FranzLittle Night Music Little Traveling Music, Please London, The Music of, Part 1London, The Music of, Part 2MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden Voyages Marlboro MusicMartha Graham and her MusicMendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMillennium of Women in MusicMozart at his ZenithMozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic from the Magic Box Music in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of ScandinaviaMusical CryptogramsMusical LandscapesNNationalismNew Releases, Part INew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPacific Overtures, Part 1Pacific Overtures, Part 2Pastoral SymphoniesPiano ConcertosPolandPorts of Call, Part I Ports of Call, Part II Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRavel, Maurice Respighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty Handful SSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part IShostakovich, Dmitri, Part IISlipped Through the Cracks Songs of PartingSounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, IgorString Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10 (Alexander Scriabin to Samuel Barber)Symphony, Part 11Symphony, Part 12Symphony, Part 13 (Symphonic Music During World War II)TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five I: Chicago Symphony Orchestra, Part IThe Big Five II: New York Philharmonic, Part IThe Big Five II: New York Philharmonic, Part IIThe Gathering Storm: Music from the Great Depression to WWIIThe Sweet SpotThrough the Mail SlotTo the Finland Station, Part ITo the Finland Station, Part IITone Poems Too Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished Symphonies VVariationsVaughan Williams, RalphVenice: The Glories ofVerdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II ViolaViolin Concerto Virtuoso, The World ofVoices from the EastWWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYin and Yang: The Play of Opposites, Part 1Yin and Yang: The Play of Opposites, Part 2You and the Night and the Music
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- About Exploring Music
Orpheus in the New World
This weeks show title, Orpheus in the New World, is borrowed from a book by Philip Hart of the same name. The book focused on American orchestras in the 1970s, and this week's show focuses on, mostly recent, American composers.
Born 1961 in Milkwaukee, Michael Torke was asked to write a piece for the 1996 Olympics held in Atlanta, Georgia. He composed the piece Javelin and named it such because he thought the word was sleek.
Torke studiend under Joseph Schwantner at the Eastman School of Music, and next we hear Schwantner's piece, Sparrows, written in 1979. It is the setting of 15 haiku's.
Next, we meet Elliott Carter who was born in 1908. He is two years younger than Samuel Barber and two years old than Shostakovich. We hear his Pastoral for Clarinet and Piano which he wrote at age 37 in 1945.
Finally, we meet Aaaron Jay Kernis, a Pulitzer Prize winner, born in 1960. We hear Musica Celestis (Music of the Heavens) which was originally written for string quartet and then later rearranged for string orchestra.
Today's program begins with a violin concerto by Roger Sessions (1896-1985), a famously intelligent man. He spent many years as a professor at Princeton University. Marc Neikrug, also very intelligent, is the composer of the next violin concerto Bill plays. Neikrug spent much of his career as the piano accompanist of Pinchas Zukerman, and is also the director of the Santa Fe Chamber Music Festival.
The next violin concerto was written by John Adams. Movement two contains the written phrase "Body Through Which a Dream Flows." This phrase comes from a poem by Robert Hass which Adams said mirrored the sensation of the movement.
The final violin concerto of the program is composed by Stehpen Paulus writing for William Preucil, then concert master of the Atlanta Symphony Orchestra.
The program ends with a ragtime piece for the piano by William Bolcom entitiled Graceful Ghost.
Into Eclipse by Stephen Albert, is based on the Ted Hughes transalation of Seneca's version of Oedipus Rex. Albert was also very drawn to James Joyce and set several of his works to music. Albert won a Pulitzer Prize for his piece, RiverRun, based on Joyce's Finnegan's Wake.
Albert was killed in a 1992 automobile accodent, and one of his best friends and composer, Christonpher Rouse, dedicated the second movement of second symphony to Albert.
Donald Erb's piece Ritual Observances also deals with loss and is dedicated to Lenoard Slatkin and Mozart. The title is taken from a Dylan Thomas poem.
On a lighter note, we hear the piece T. Rex by Bill's old friend Mark Phillips. The piece is scored for trombones and electronic sounds.
Finally, we hear the piece Morgen-Gesang (morning sound) by Arthur Foote, and several selections from Amy Beach, born Amy Marcy Cheney.
This program begins with Sonata for Violin and Piano by Paul Moravec, a recent Pulitzer Prize winning composer. The piece was written for violinst Maria Bachman, and her piano accompanist Jon Klibonoff.
Next we hear two birthday greeting pieces by Leonard Berstein, the first written for Carl Berm's 85th birthday. The other is a greeting for Alexander Berstein on the first day of his life.
This is followed by the wild piece Symphony No. 3 by Ellen Taafe Zwilich, and then the calm piece Old and Lost Rivers by Tobias Picker. Next is the piece Petroushskates by Joan Tower, the piece is a tip of the hat to her favorite composer, Igor Stravinsky.
This program concludes with several works by Peter Lieberson, written for the love of his life and vocalist Lorraine Hunt Lieberson. The piece premiered in Los Angeles in May 2005 and the recording played in the program is from a live November 2005 performance by the Boston Symphony Orchestra. Lorraine died of cancer a year after that performance.
The final program begins with a piece by Carolyn Jennings called The Loons. Next, we hear Elegy written by one of the violinists from The Emerson String Quartet, Philip Setzer. The piece is written for Setzer's close friend who passed away.
Next we hear several concert pieces from composers usually thought of as film composers: John Williams and Danny Elfman. Williams' piece, The Five Sacred Trees, is based on a Celtic legend. Elfman's piece is entitled Serenada Schizophrana.
Elfman was inspired by Philip Glass, and we listen to a piece from Glass' opera, Orphee. We also hear Cauldrons by Minnesota composer Franklin.
Finally, the program ends with a full performance of the Exploring Music Theme written by Bill McGlaughlin himself. The piece is dedicated to Steve Robinson.