- Program List
Below are many of the more than 170 five-hour 'weeks' of Exploring Music that have been created since 2003.
The first seven minutes of every program are free to sample. Several entire 5-hour programs are also free to listen (marked 'free' below).
For complete access to all of the shows, click here to become a subscriber.
To sort through the shows by composers Click Here.
To see the Playlist for a given show, click on the show and then on the 'playlist' button beneath any of the five one-hour programs.
AAmerican Masters, Part I American Masters, Part II American Masters, Part IIIAmerican Masters, Part IVAmerican Masters, Part V An Intelligent Conversation: String Quartets Arias & BarcarollesArtists in Exile, Part IArtists in Exile, Part IIAutumn Leaves Autumnal Masterpieces BBach Sleeps in on Sundays Bach to Beethoven Bach's Christmas Oratorio Bach's Not-So-Minor B-Minor MassBallad of East and West Baltic MusicBarber, SamuelBartok, BelaBeethoven and that Danged MetronomeBeethoven and the PianoBeethoven at Parnassus, Part IBeethoven at Parnassus, Part IIBeethoven Quartets (FREE)Berlioz, HectorBernstein, LeonardBill's Keepers Boulanger, NadiaBrahms, Johannes, Part IBrahms, Johannes, Part II Britten, Benjamin Bruckner, Anton CCall for ScoresCello Concertos Child's PlayChopin, FredericClash of the Titans Clowning AroundCopland, Aaron Corigliano, JohnCzech out those Bohemians DDebussy, Claude Demons, Spooks and Other Things That Go Bump in the NightDirector's ChoiceDistant Neighbors Don't Shoot the Piano PlayerDvořák, AntoninDvorak, Tchaikovsky & Borodin String Quartets EElgar, Edward (FREE)Emotion and Meaning in MusicEnescu, GeorgesEspanaFFamilies of Instruments Family Matters: All in the FamilyFauré, GabrielFit for a KingFour SeasonsFrom This Mighty River: Music of the Children of J.S BachGGame of Pairs, Part I Game of Pairs, Part IIGershwin, GeorgeGet the PictureGitana: Gypsy Music and Its InfluencesGreen and Pleasant Land Grieg and SibeliusHHandel, George FridericHaydn and Mozart QuartetsHaydn SymphoniesHidden Gold, Part IHidden Gold, Part IIHindemith, PaulHHit or MythHoliday CelebrationHomageII Didn't Know About YouI Hear a Rhapsody I Hear America Singing I Lost it at the MoviesIn a Family WayIncidentally SpeakingIntimate VoicesInvitation to the Dance, Part IInvitation to the Dance, Part II Invitation to the Dance, Part IIIIt Takes Two to TangoIt Was a Lover and His Lass Italian SouvenirsJJanacek, LeosKKeyboard SmorgasbordLLatin CarnivalLes SixLife Among the Dead: Requiem MassesListener's Choice, Part IIListener's Choice, Part III Liszt, Franz Little Night Music Little Traveling Music, Please MMaestro, Part IMaestro, Part IIMagnificent MagyarsMahler, Gustav, Part IMahler, Gustav, Part IIMaiden Voyages Mendelssohn, FelixMendelssohn, Schumann and Brahms String QuartetsMerrie EnglandMozart at his Zenith Mozart Piano ConcertosMozart's Birthday BashMozart: Bright Lights, Big CityMusic for the MassesMusic from the Magic Box Music in 19th Century Paris: Waterloo to Bismarck Music in the Time of WarMusic of ScandinaviaMusical CryptogramsMusical LandscapesNNationalismNew Releases, Part INew Releases, Part IINew Releases, Part III, week 1 of 2New Releases, Part III, week 2 of 2 New Wine in Old Bottles Nielsen, Carl Ninth SymphoniesNobody Ever Builds a Statue to a CriticOOrpheus in the New World Outward BoundPPastoral Symphonies (FREE)Piano ConcertosPolandPortraits in Black, Brown, & Beige, Part I Portraits in Black, Brown, & Beige, Part II Ports of Call, Part I Ports of Call, Part II Poulenc, FrancisProkofiev, SergeiProud Tower, Part IProud Tower, Part IIRRachmaninoff, SergeiRRavel, Maurice Respighi, OttorinoRimsky-Korsakov and His PupilsRoaring 20's Russian Five: The Mighty Handful SSchool DaysSchubert String QuartetsSchubertiade, Part ISchubertiade, Part IISchuman, WilliamSchumann, Robert Shakespeare Shostakovich, Dmitri, Part I Shostakovich, Dmitri, Part IISlipped Through the Cracks Sounds of the City of Lights SoundtracksSpanish SchoolSpring is Here St-Saëns, Camille St. Matthew PassionStrauss, RichardStravinsky, Igor (FREE)String Quartets from Fibich to SibeliusStrings Plus OneSweet Home Chicago Symphony, Part 01Symphony, Part 02Symphony, Part 03Symphony, Part 04Symphony, Part 05Symphony, Part 06 (French)Symphony, Part 07 (Russian)Symphony, Part 08Symphony, Part 09Symphony, Part 10TTchaikovsky, Peter, Part ITchaikovsky, Peter, Part IIThe Big Five, Part I: Chicago Symphony Orchestra The Big Five, Part I: New York PhilharmonicThe Big Five, Part II: New York PhilharmonicThe Gathering Storm: Music from the Great Depression to WWIIThrough the Mail SlotTo the Finland Station, Part ITo the Finland Station, Part IITone Poems Too Darn BigTriple PlayTudor MusicTwo Very Different Worlds Delius and HolstUUnder the Hood, Part IUnder the Hood, Part II Unfinished SymphoniesVVariationsVaughan Williams, RalphVenice: The Glories of Verdi, Giuseppe, Part IVerdi, Giuseppe, Part IIVienna, Part IVienna, Part II ViolaViolin Concerto Virtuoso, The World ofVoices from the East WWagner's Ring CycleWagner, RichardWalton, WilliamWater MusicWhat Else Ya Got?Wind QuintetsWunderkinder, Part IWunderkinder, Part IIYYin and Yang: The Play of Opposites, Part 1Yin and Yang: The Play of Opposites, Part 2You and the Night and the Music
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- About Exploring Music
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Nobody Ever Builds a Statue to a Critic Purchase Now
Bill explains the topic of this week's show and kicks things off with a mystery composer. Bill tells of critic composer Robert Schumann, who offered Chopin great support, and modern critic Charles Rosen. Rosen wrote, "Almost all art is subversive. It attacks established values and replaces them with that of its own creation."
Schumann: Carnival, Op.9
V. Eusebius (excerpt)
XII. Chopin (excerpt)
Chopin: Variations on "Là ci darem la mano," Op.2
Introduction (Largo-Poco più mosso)
Warsaw Philharmonic/Kord; Ohlsson,p.
18:50, :36, :23
Mozart: Don Giovanni
“La ci Darem la Mano”
“Venite Pur Avanti” (excerpt)
Academy Of St. Martin In The Fields/Marriner; Allen, t.;McLaughlin,s.
3:11, 1:17, 00:34
Mozart: String Quintet No.4 in G minor, K. 516
II Adagio (excerpt)
Alban Berg Quartet; Wolf, vla.
Mozart: "Ach, ich fühl's" fr. Die Zauberflöte
Academy Of St. Martin In The Fields/Marriner; Te Kanawa, s.
Mozart: Symphony No. 40, K. 550, I (excerpt) & IV
Marlboro Festival Orchestra/Casals
Bill asks what is the role of the music critic, and are they doing a good job. Bill tells the story of E.T.A Hoffman's 16 page long review of Beethoven's Fifth Symphony, which took over a year to write. Schumann's review of Hector Berlioz's Symphonie Fantastique shows the research and thought that good music criticism requires. Bill includes an interview with Tim Page, a Pultizer prize winning music critic.
Beethoven: Piano Sonata No. 30 in E Major, Op. 109 I (excerpt)
Rudolf Serkin, p.
Beethoven: Symphony No.5 In C Minor, Op. 67
I. Allegro Con Brio; IV. Allegro
Simón Bolívar Youth Orchestra Of Venezuela/Dudamel
Beethoven: Symphony No. 2 in D, Op. 36
Chicago Symphony Orchestra/Solti
London 430 792-2
Beethoven: Symphony No. 9 in D Op. 125
London 430 792-2
Berlioz: Symphonie Fantastique, Op. 14, V
Interview: Tim Page
Busoni, arr. John Adams: Berceuse Elegiaque
Bournemouth Symphony Orchestra/Alsop
Busoni: Piano Concerto
IV. All' Italiana: Vivace
Cleveland Orchestra/Dohnanyi; Ohlsson,p.
Bill comments on Claude Debussy's pieces and their use of whole tone scales, which were panned by a lot of critics at the time. Similar to Debussy, Richard Strauss's opera, Salome, was not well received in 1907. It was even forbidden to be performed again, though that ban has not held up to the test of time. In his next interview, Bill speaks with former New York Times music critic, Joseph Horowitz and The Chicago Tribune critic John Von Rhein.
Debussy: Pelléas Et Mélisande (excerpt)
Vienna Phil & Vienna State Opera Chorus/Abbado
Debussy: La Mer
interview: Joe Horowitz
Liszt: Un Sospiro, S 144/3
R. Strauss: Salome: Tanz der sieben Schleier (excerpt)
Interview: John von Rhein
Sibelius: Symphony #5 In E Flat, Op. 82, III
City Of Birmingham Symphony Orchestra/Rattle
Richard Wagner's Die Meistersinger was bashed by many critics upon it's release. One critic went as far as to only identify himself as "a sufferer" in the byline. Bill speaks with critic Terry Teachout before telling the story of Stravinsky and Schoenberg, who were both doing very interesting and inventive things with harmony, but disliked the other's works. Stravinksy's Rite of Spring caused havoc in Paris when it was first performed in 1913.
Wagner: Prelude fr. Die Meistersinger, Act. I
Interview: Terry Teachout
Moravec: Mood Swings
Schoenberg: Pierrot Lunaire, Op. 21 (excerpts)
20th Century Classics Ensemble/Craft
Stravinsky: The Rite Of Spring - Part 1
London Symphony Orchestra/Bernstein
Bill begins with Virgil Thomson, another composer/critic, and the difficulty of composers critiquing one another. Bill goes on to speak with critic Andrew Patner about whether critics should maintain a distance from composers or know them well. We close with back to back Beatles and Mahler.
MacDowell: To A Wild Rose fr. Woodland Sketches, Op. 51 (excerpt)
MacDowell: Piano Concerto No. 2, Op. 23 in d minor, II
Chicago Symphony Orchestra/Hendl; Cliburn,p.
Sibelius: Symphony No. 2 in D Major, I (excerpt)
Interview: Andrew Patner
Kurka: The Good Solider Schweik (excerpts)
Chicago Opera Theater/Platt
9:06, 2:18, 2:58,
McCartney, gtr. & voc.
Mahler: Symphony No. 10, V
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