Exploring Music's Top Five Spookiest Selections
Darkness has descended on Exploring Music as we investigate composers’ fascination with ghosts, goblins, Mephistopheles and other phantasmagoria. Here are the top five spookiest pieces we played this week in order from least to most terrifying. Disagree, think we missed something, or want to suggest your own scary selection? Post in the comments below.
More mysterious than menacing, this piece for orchestra and mezzo-soprano by Manuel de Falla follows the journey of one woman as she tries to exorcise the spirit of her dead husband. Anyone familiar with Falla's Siete Canciones Populares may be reminded of his song, "Polo", both pieces have a mezzo-soprano singing "Ay!" over active accompaniment !
Join dancing skeletons, Death, spooks and more with Camille Saint-Saëns's Danse Macabre. Evocative use of the tritone might have pushed this selection higher on our list, but the work ends with a happy ending -- the break of day.
Listeners might remember Mussorgsky's Night on Bald Mountain from it's use in the Walt Disney classic, Fantasia, but even without animation this work still frightens. Although, much like Danse Macabre the work ends happily.
Next Berlioz's La Damnation de Faustioz plunges us into deep darkness. The Ride to the Abyss is particularly chilling with real screams and a triplet figure that mimics galloping horses dragging Faust into Hell.
For all of Berlioz's bluster, Schubert is the one who understands true terror. In no song is this clearer than Erlkönig. From the seductive major tonality of Death, to the child's frenzied cries, to the father's denial, to the narration of the inevitable conclusion, it's hard to think of a more chilling piece of music.
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